Being Thoughtless

I don’t like thinking anymore, and so stopped it. Yes you read it right. I have stopped thinking. There are no similar-sounding verbs to “thinking”, still for those with impaired hearing, or exaggerated disbelief on their faces, I repeat – I STOPPED THINKING!!

I know what the Indian philosophy/yoga types reading this stuff are thinking. They are imagining the descendants of Ekta Kapoor, three hundred years from now, making a television serial on me, the saint who stopped thinking – thoughtlessanand baba (the pun is, of course, intended), in which the last episode shows my soul, portrayed as thin yellow glowing gelatin-like ellipse, merging with another much larger yellow glowing gelatin-like ellipse, obviously representing the God’s soul – paramatma. (Disclaimer: ellipses could easily be ellipsoids, depending on the advancements in television technology of the time) But nothing like that has happened – I have no gelatin around me right now, and the last ellipse I saw was Yuvraj Singh’s wagon wheel, digitally representing the Kingston stadium, where India defeated West Indies. Now that you have pained your mind enough deciphering the large comma-studded sentences above, I’m sure some of you might like to stop thinking. And in somewhat similar fashion I stopped thinking. Sorry to disappoint the glowing-gelatin-ellipse-lovers.

Oh! and I don’t love Ekta Kapoor. I’m thought-less, not mad.

However, the thoughtlessanand baba has economic value. I am sure friends, families, parents of some of you seek or have sought some sort of spiritual support from some sort of spiritual beings. The world needs babas. From management to spirituality you need the babas. And like in spirituality, so in managment, the less the baba thinks the better he/she is. So the world surely needs a thoughtlessanand baba. And for you, I am sure you would be more comfortable with your friends, families, or parents seeking support from a modern baba like me, than the traditional saffron clad ones. See I sold it to you as well. I know you are thinking where does the “economic” part come from. Well the thoughtlessanand baba, like all other babas, wont charge a fee. He’d only help grow the pie. With less thought there is more pie. Now let the Peter Drucker‘s of the world explain that to you. And if you dont like the jargon-filled books, and still need to get the “less thought, more pie” funda – watch the waitress, the movie I mean.

For those who still doubts the truthfulness of this post, I am sure this post itslef must convince you that I have stopped thinking ЁЯШЙ

PS: I did consider “Surrealanand Baba” as the branding, but that’s a bit too much disoriented for people seeking spiritual help. Being inconsiderate is something they are anyways expecting.

Creation Hymn – Rigveda

I consider the ancient tradition of knowledge in India, the most profound academic tradition ever. One of the basic characters of this tradition, is the unquestioned belief in The Veda as the ultimate source of knowledge. And so, I naturally tend to attribute the success of the tradition to The Veda.

Vedas are not a set of books containing a set of facts. They are a doorway into the vast human capability of knowing beyond what the organs can sense and the mind can think. They are a method that gives humans the great capability to act beyond ones physical limitations, to fulfill ones desire, to overcome what is destined. They are a song capable of evoking those human emotions which open the doors to bliss. Thus, they validate the divinity of humans, and proclaim the supremacy of human endeavor over any other force in nature.

They are an inquiry into the nature of truth itself. They are like a finger pointing towards something that can be perceived but not said. They are a necklace of pearls of wisdom, knitted together by an invisible thread. If you perceive the invisible thread, you know that it is a necklace. If you don’t, they sound to you absurd pieces of poetry somehow put together. This is the same invisible thread which connects two human beings, which enable one human being to empathize with another human being. Therefor, it states emphatically “рдПрдХрдореН рд╕рддреН рд╡рд┐рдкреНрд░рд╛: рдмрд╣реБрдзрд╛ рд╡рджрдиреНрддрд┐” … the truth is one, wise men say it differently. Therefore, it welcomes with open arms, everything good coming from any direction… “рдЖ рдиреЛ рднрджреНрд░рд╛рдГ рдХреНрд░рддрд╡реЛ рдпрдиреНрддреБ рд╡рд┐рд╢реНрд╡рддрдГ”.

For me, the Veda is not the truth. Whatever truth is, is the Veda.

And, the Sukta, which I like the most in The Veda, is the рдирд╛рд╕рджреАрдп рд╕реВрдХреНрдд, the creation hymn (Mantra 129, Mandala 10, Rigveda):

рдирд╛рд╕реСрджрд╛рд╕реАреТрдиреНрдиреЛ рд╕рджрд╛реСрд╕реАрддреНрддреТрджрд╛рдиреАрдВреТ рдирд╛рд╕реАреТрджреНрд░рдЬреЛреТ рдиреЛ рд╡реНрдпреЛреСрдорд╛ рдкреТрд░реЛ рдпрддреН ред
рдХрд┐рдорд╛рд╡реСрд░реАрд╡рдГреТ рдХреБрд╣реТ рдХрд╕реНрдпреТ рд╢рд░реНрдореТрдиреНрдирдореНрднрдГреТ рдХрд┐рдорд╛реСрд╕реАреТрджреНрдЧрд╣реСрдирдВ рдЧрднреАреТрд░рдореН редред

рди рдореГреТрддреНрдпреБрд░рд╛реСрд╕реАрджреТрдореГрддрдВреТ рди рддрд░реНрд╣рд┐реТ рди рд░рд╛рддреНрд░реНрдпрд╛реТ рдЕрд╣реНрдиреС рдЖрд╕реАрддреНрдкреНрд░рдХреЗреТрддрдГ ред
рдЖрдиреАреСрджрд╡рд╛реТрддрдВ рд╕реНрд╡реТрдзрдпрд╛реТ рддрджреЗрдХрдВреТ рддрд╕реНрдорд╛реСрджреНрдзрд╛реТрдиреНрдпрдиреНрди рдкреТрд░рдГ рдХрд┐рдВ рдЪреТрдирд╛рд╕реС редред

рддрдореС рдЖрд╕реАреТрддреНрддрдореСрд╕рд╛ рдЧреВреТрд┤рдордЧреНрд░реЗреС рд╜рдкреНрд░рдХреЗреТрддрдВ рд╕реСрд▓рд┐реТрд▓рдВ рд╕рд░реНрд╡реСрдорд╛ рдЗреТрджрдореН ред
рддреБреТрдЫреНрдпреЗрдирд╛реТрднреНрд╡рдкрд┐реСрд╣рд┐рддрдВреТ рдпрджрд╛рд╕реАреТрддреНрддрдкреСрд╕реТрд╕реНрддрдиреНрдореСрд╣рд┐реТрдирд╛рдЬрд╛реСрдпреТрддреИрдХреСрдореН редред

рдХрд╛рдореТрд╕реНрддрджрдЧреНрд░реЗреТ рд╕рдореСрд╡рд░реНрддреТрддрд╛рдзрд┐реТ рдордиреСрд╕реЛреТ рд░реЗрддрдГреС рдкреНрд░рдереТрдордВ рдпрджрд╛рд╕реАреСрддреН ред
рд╕реТрддреЛ рдмрдиреНрдзреБреТрдорд╕реСрддрд┐реТ рдирд┐рд░реСрд╡рд┐рдиреНрджрдиреНрд╣реГреТрджрд┐ рдкреНрд░реТрддреАрд╖реНрдпрд╛реС рдХреТрд╡рдпреЛреС рдордиреАреТрд╖рд╛ редред

рддрд┐реСрд░реТрд╢реНрдЪреАрдиреЛреТ рд╡рд┐рддреСрддреЛ рд░реТрд╢реНрдорд┐рд░реЗреСрд╖рд╛рдореТрдзрдГ рд╕реНрд╡рд┐реСрджрд╛реТрд╕реАрейрджреБреТрдкрд░рд┐реС рд╕реНрд╡рд┐рджрд╛рд╕реАрейрддреН ред
рд░реЗреСрддреЛреТрдзрд╛ рдЖреСрд╕рдиреНрдорд╣рд┐реТрдорд╛рдиреС рдЖрд╕рдиреНрд╕реНрд╡реТрдзрд╛ рдЕреТрд╡рд╕реНрддрд╛реТрддреНрдкреНрд░рдпреСрддрд┐рдГ рдкреТрд░рд╕реНрддрд╛реСрддреН редред

рдХреЛ рдЕреТрджреНрдзрд╛ рд╡реЗреСрджреТ рдХ рдЗреТрд╣ рдкреНрд░ рд╡реЛреСрдЪреТрддреНрдХреБрддреТ рдЖрдЬрд╛реСрддрд╛реТ рдХреБрддреС рдЗреТрдпрдВ рд╡рд┐рд╕реГреСрд╖реНрдЯрд┐рдГ ред
рдЕреТрд░реНрд╡рд╛рдЧреНрджреЗреТрд╡рд╛ рдЕреТрд╕реНрдп рд╡рд┐реТрд╕рд░реНрдЬреСрдиреЗреТрдирд╛рдерд╛реТ рдХреЛ рд╡реЗреСрджреТ рдпрддреС рдЖрдмреТрднреВрд╡реС редред

рдЗреТрдпрдВ рд╡рд┐рд╕реГреСрд╖реНрдЯрд┐реТрд░реНрдпрддреС рдЖрдмреТрднреВрд╡реТ рдпрджрд┐реС рд╡рд╛ рджреТрдзреЗ рдпрджрд┐реС рд╡рд╛реТ рди ред
рдпреЛ рдЕреТрд╕реНрдпрд╛рдзреНрдпреСрдХреНрд╖рдГ рдкрд░реТрдореЗ рд╡реНрдпреЛреСрдореТрдиреНрд╕реЛ рдЕреТрдЩреНрдЧ рд╡реЗреСрджреТ рдпрджрд┐реС рд╡рд╛реТ рди рд╡реЗрджреС редред

Translation by V. V. Raman, University of Rochester:

Not even nothing existed then
No air yet, nor a heaven.
Who encased and kept it where?
Was water in the darkness there?
Neither deathlessness nor decay
No, nor the rhythm of night and day:
The self-existent, with breath sans air:
That, and that alone was there.
Darkness was in darkness found
Like light-less water all around.
One emerged, with nothing on
It was from heat that this was born.
Into it, Desire, its way did find:
The primordial seed born of mind.
Sages know deep in the heart:
What exists is kin to what does not.
Across the void the cord was thrown,
The place of every thing was known.
Seed-sowers and powers now came by,
Impulse below and force on high.
Who really knows, and who can swear,
How creation came, when or where!
Even gods came after creation’s day,
Who really knows, who can truly say
When and how did creation start?
Did He do it? Or did He not?
Only He, up there, knows, maybe;
Or perhaps, not even He.

You can find alternative translations here: http://www.sacred-texts.com/hin/rigveda/rv10129.htm.

Another translation is this: http://www.astrojyoti.com/NasadiyaSuktam.htm.

The anvaya of the verses is here: http://titus.fkidg1.uni-frankfurt.de/texte/etcd/ind/aind/ved/rv/mt/rv966.htm#RV_RVS_10_129_(955).

The title song of the doordarshan serial “Bharat ek khoj” was Hindi poetic translation of this Sukta only: рд╕реГрд╖реНрдЯреА рд╕реЗ рдкрд╣рд▓реЗ рд╕рддреН рдирд╣реА рдерд╛.

This is best recital I could get: http://www.youtube.com/watch?v=PyrXdEi8i_I&feature=player_embedded (Though there’s not so good pronunciation, and pretty superficial translation). I’d post a better recital if I found one.

And, if you have patience you can look for the 129 Sukta of the 10th Mandal in the entire of the Rig Veda here: http://www.astrojyoti.com/rigvedamp3part1.htm.

Ghalib again

Posting Ghalib after quite sometime today. It is a quite well known ghazal, and represents a state of mind which I relate to quite often. Especially after meeting a few people. ЁЯЩВ

рдмрд╛реЫреАрдЪрд╛-рдП-рдЕрддреЮрд╛рд▓ рд╣реИ рджреБрдирд┐рдпрд╛ рдореЗрд░реЗ рдЖрдЧреЗ,
рд╣реЛрддрд╛ рд╣реИ рд╢рдм-рдУ-рд░реЛреЫ рддрдорд╛рд╢рд╛ рдореЗрд░реЗ рдЖрдЧреЗред

[рдмрд╛реЫреАрдЪрд╛-рдП-рдЕрддреЮрд╛рд▓ == child’s play] [рд╢рдм-рдУ-рд░реЛреЫ == day and night]

рд╣реЛрддрд╛ рд╣реИ рдирд┐рд╣рд╛рдБ рдЧрд░реНрдж рдореЗ рд╕рд╣рд░рд╛ рдореЗрд░реЗ рд╣реЛрддреЗ,
рдШрд┐рд╕рддрд╛ рд╣реИ реЫрдмреАрдВ реЩрд╛рдХ рдкреЗ рджрд░рд┐рдпрд╛ рдореЗрд░реЗ рдЖрдЧреЗред

[рдирд┐рд╣рд╛рдБ == indistinguishable] [рдЧрд░реНрдж == sand] [рд╕рд╣рд░рд╛ == the desert ] [The line means, that I seem to be living for so long that the sand of the desert is getting created in front of me]
[реЫрдмреАрдВ == forhead] [реЩрд╛рдХ == soil] [Again, the line signifies that I seem to have been alive to see the river erode the soil in front of me]

рдордд рдкреВрдЫ рдХрд┐ рдХреНрдпрд╛ рд╣рд╛рд▓ рд╣реИ рдореЗрд░рд╛ рддреЗрд░реЗ рдкреАрдЫреЗ,
рддреВ рджреЗрдЦ рдХрд┐ рдХреНрдпрд╛ рд░рдВрдЧ рд╣реИ рддреЗрд░рд╛ рдореЗрд░реЗ рдЖрдЧреЗред

рдИрдорд╛рдБ рдореБрдЭреЗ рд░реЛрдХреЗ рд╣реИ, рдЬреЛ рдЦреАрдВрдЪреЗ рд╣реИ рдореБрдЭреЗ рдХреБреЮреНрд░,
реШрд╛рдмрд╛ рдореЗрд░реЗ рдкреАрдЫреЗ рд╣реИ, реШрд▓реАрд╕рд╛ рдореЗрд░реЗ рдЖрдЧреЗред
[рдИрдорд╛рдБ == integrity, truthfulness, religion] [рдХреБреЮреНрд░ == irreligiousness, lure of the material gains] [реШрд╛рдмрд╛ == kaaba] [реШрд▓реАрд╕рд╛ == technically is a Church, but used here to signify place where рдХреБреЮреНрд░ happens]

рдЧреЛ рд╣рд╛рде рдХреЛ реЫреБрдВрдмрд┐рд╢ рдирд╣реА, рдЖрдБрдЦреЛрдВ рдореЗ рддреЛ рджрдо рд╣реИ,
рд░рд╣рдиреЗ рджреЛ рдЕрднреА рд╕рд╛рдЧрд░-рдУ-рдореАрдирд╛ рдореЗрд░реЗ рдЖрдЧреЗред
[реЫреБрдВрдмрд┐рд╢ == motion, energy] [рд╕рд╛рдЧрд░-рдУ-рдореАрдирд╛ == the glass of wine]

Many Indian and Pakistani singers have beautiful renditions of the gazal. One of the more famous ones is by Jagjit Singh from the serial Mirza Ghalib. Here’s the clip on youtube:

http://www.youtube.com/watch?v=ybAJ2xsYd4A

Onwards and upwards

Life, I say, is like, well, Vicks Vaporub.

Didn’t you expect nonsensical metaphors here? You haven’t read my earlier blogs then. Please do. ЁЯША

Okay, so back to Vick Vaporub. You rub it on your chest, your neck, around your nose, may be if you mistook it for Zandu balm, then on your head. You do it when you are sick. It makes you feel better. And it makes you better by evaporating itself, when it leaves your skin.

Life is something that you rub on yourself superficially. Haven’t you heard people (especially brown-haired, satin-skinned, beaming-eyed woman) telling fat nerdy bearded geeks – “YouтАЩre sick, Get a Life!!”. So typically those geeks would try and get a life… by rubbing it superficially… they’ll go and swim, play a game of pool, or watch a movie, or chase girls, play guitar, sketch, paint, flirt, write, drink, drive, act, debate, code, design, orkut (v), discuss etc… Drinking following driving in the above line is purely incidental. (To be legally safe, the author does not take any responsibility for the urges emanating in the readers mind) ЁЯША

So yes, it seems they got some life rubbed on themselves. But they still feel sick. Because, life, like Vicks Vaporub, makes you feel better only when it leaves your superficial skin. When it evaporates.

But, why?

Because, it has to get in to you, to be able to treat you, to be able make you feel less sick. And it can get in you only when it evaporates, only when it enters your lungs through your nose. It opens up what is clogged inside. That something, which is preventing you from breathing freely. That something, which is making the head heavy. It enters you, settles down and you start breathing freely.

Life is also like that. There is nothing intrinsic about those get-a-life-actions that will give you a life. Let it be, putting some colors on a canvas, or some charcoal on paper, or letting the visuals of a movie reach your eyes, or letting your body float on a swimming pool, or writing poetry for a woman, or putting your leg hard on the accelerator while driving on an empty highway. There are no measurable units of life in any of those acts. They are just superficial rubbings. You have to let it evaporate, let it leave your body, and enter you on its own.

But you still have to start by rubbing it in, and have faith that it will get inside you on it self. And remember that it would not get in, if you donтАЩt rub it, to start with. You have to make the effort and let it go, and have faith that it will enter you … relief will follow ЁЯЩВ

Good punch line for the Procter and Gamble guys … right? “Relief will follow” ЁЯШЫ

So, life, like Vick Vaporub, being volatile, will leave your skin and go onwards and upwards, and finally get inside you. ЁЯЩВ

So, what’s the conclusion of the metaphor? It is not new. Somewhere in the planes of Haryana, some 5,110 years ago, a saarathi told a dhanurdhar – тАЬDo your job wellтАЭ ЁЯЩВ

It will pass

Last time I talked a bit about Tau. And here’s something from Zen:

A student went to his meditation teacher and said, “My meditation is horrible! I feel so distracted, or my legs ache, or I’m constantly falling asleep. It’s just horrible!”

“It will pass,” the teacher said matter-of-factly.

A week later, the student came back to his teacher. “My meditation is wonderful! I feel so aware, so peaceful, so alive! It’s just wonderful!’

“It will pass,” the teacher replied matter-of-factly.

I like their expression. ЁЯЩВ

Being Useless

Someone found my previous post about ‘some page’ absurd, abuse of blogging, murder of humor and ‘useless’. I was thrilled, excited, and felt an immense feeling of achievement. ЁЯША

That someone, is a nice and close friend, and well, is quite dumb. Usually it is hard to find intelligent people who are nice and close. So, I guess it is quite nice to be dumb, as long as you are nice. ЁЯЩВ And finding that post (and my blog in general) useless, is one of the lesser dumb things demonstrated by this friend. In fact, it is a pretty worthwhile observation that my blog is useless.

So, I decided to write about ‘being useless’.

Being useless, is probably, the highest form of existence one can think about. I know that people would not quite appreciate finding philosophical imports on a useless blog, of course, except those who find philosophy useless. ЁЯША So, I decided to quote someone else. And this quote is about someone who never liked to be quoted – Lao Tzu. So, here’s something indicating his views about being useless:

Lao Tzu was traveling with his disciples and they came to a forest where hundreds of woodcutters were cutting the trees. The whole forest had been cut except for one big tree with thousands of branches. It was so big that 10,000 persons could sit in its shade.

Lao Tzu asked his disciples to go and inquire why this tree had not been cut. They went and asked the woodcutter and they said, “This tree is absolutely useless. You cannot make anything out of it because every branch has so many knots in it – nothing is straight. You cannot use it as fuel because the smoke is dangerous to the eyes. This tree is absolutely useless, that’s why we haven’t cut it.”

The disciples came back and told Lao Tzu. He laughed said, “Be like this tree. If you are useful you will be cut and you will become furniture in somebody’s house. If you are beautiful you will be sold in the market, you will become a commodity. Be like this tree, absolutely useless, and then you will grow big and vast and thousands of people will find shade under you.”

I thought about it, and realized, that the tree is not useless. It is useful – you can find shade under it. But the point is – it is just not ‘trying’ to be useful.

Aaj Bazaar Mein

I have posted ‘intesab’ by Faiz Ahmed Faiz earlier. This is another one of his very popular poems. It was written during the rule of General Zia in Pakistan, and has a very distinct revolutionary fervor. It urges everyone who feels dejected of the happenings around him, to come out and get heard, inspite of the odds. And the feel is surprisingly similar to the spirit of Gandhi’s satyagrah, rather than that of call for a violent revolution.

рдЖрдЬ рдмрд╛рдЬрд╝рд╛рд░ рдореЗрдВ рдкрд╛-рдм-рдЬреМрдВрд▓рд╛ рдЪрд▓реЛред
рдЪрд╢реНрдо-рдП-рдирдо рдЬрд╛рди-рдП-рд╢реЛрд░реАрджрд╛ рдХрд╛рдлрд╝реА рдирд╣реАрдВ,
рддреЛрд╣рдордд-рдП-рдЗрд╢реНрдХрд╝ рдкреЛрд╢реАрджрд╛ рдХрд╛рдлрд╝реА рдирд╣реАрдВ,
рдЖрдЬ рдмрд╛рдЬрд╝рд╛рд░ рдореЗрдВ рдкрд╛-рдм-рдЬреМрдВрд▓рд╛ рдЪрд▓реЛред
[рдЬреМрдВрд▓рд╛ == рдмреЗрдбрд╝реА, shackles; рдкрд╛-рдм-рдЬреМрдВрд▓рд╛ == shackled feet]
[рдЪрд╢реНрдо-рдП-рдирдо == eyes with tears] [рдЬрд╛рди-рдП-рд╢реЛрд░реАрджрд╛ == distressed soul]
[рддреЛрд╣рдордд-рдП-рдЗрд╢реНрдХрд╝ == blame of love] [рдкреЛрд╢реАрджрд╛ == hidden]

рджрд╕реНрдд-рдП-рдЕрдлрд╝реНрд╢рд╛рдБ рдЪрд▓реЛ рдорд╕реНрдд-рдУ-рд░рдХреНрд╕рд╛рдБ рдЪрд▓реЛ
рдЦрд╝рд╛рдХ-рдмрд░-рд╕рд░ рдЪрд▓реЛ рдЦреВрдБ-рдм-рджрд╛рдорд╛рдБ рдЪрд▓реЛ
рд░рд╛рд╣ рддрдХрддрд╛ рд╣реИ рд╢рд╣рд░-рдП-рдЬрд╛рдирд╛рдБ рдЪрд▓ред
рдЖрдЬ рдмрд╛рдЬрд╝рд╛рд░ рдореЗрдВ рдкрд╛-рдм-рдЬреМрдВрд▓рд╛ рдЪрд▓реЛред
[рджрд╕реНрдд-рдП-рдЕрдлрд╝реНрд╢рд╛рдБ == with swingin arms] [рдорд╕реНрдд-рдУ-рд░рдХреНрд╕рд╛рдБ == dancing merrily]
[рдЦрд╝рд╛рдХ-рдмрд░-рд╕рд░ == head to feet covered in mud] [рдЦреВрдБ-рдм-рджрд╛рдорд╛рдБ == with blood stained sleeves]
[рд╢рд╣рд░-рдП-рдЬрд╛рдирд╛рдБ == the beloved city]

рд╣рд╛рдХрд┐рдо-рдП-рд╢рд╣рд░ рднреА, рдордЬрдорд╛-рдР-рдЖрдо рднреА,
рддреАрд░-рдП-рдЗрд▓реНрдЬрд╝рд╛рдо рднреА, рд╕рдВрдЧ-рдП-рджреБрд╢рдирд╛рдо рднреА,
рд╕реБрдмрд╣-рдП-рдирд╛рд╢рд╛рдж рднреА, рд░реЛрдЬрд╝-рдП-рдирд╛рдХрд╛рдо рднреА,
рдкрд╛-рдм-рдЬреМрдВрд▓рд╛ рдЪрд▓реЛ
рдЖрдЬ рдмрд╛рдЬрд╝рд╛рд░ рдореЗрдВред
рдЖрдЬ рдмрд╛рдЬрд╝рд╛рд░ рдореЗрдВ рдкрд╛-рдм-рдЬреМрдВрд▓рд╛ рдЪрд▓реЛред
[рд╣рд╛рдХрд┐рдо-рдП-рд╢рд╣рд░ == rulers of the city (shall watch)]
[рдордЬрдорд╛-рдР-рдЖрдо == flocks common men (shall watch)]
[рддреАрд░-рдП-рдЗрд▓реНрдЬрд╝рд╛рдо == (so that you get) arrows of accusations]
[рд╕рдВрдЧ-рдП-рджреБрд╢рдирд╛рдо == (so that you get) stones of insults]
[рд╕реБрдмрд╣-рдП-рдирд╛рд╢рд╛рдж == (do so despite) depressing mornings]
[рд░реЛрдЬрд╝-рдП-рдирд╛рдХрд╛рдо == (do so despite) unsuccessful days]

рдЗрдирдХрд╛ рджрдорд╕рд╛рдЬрд╝ рдЕрдкрдиреЗ рд╕рд┐рд╡рд╛ рдХреМрди рд╣реИ?
рд╢рд╣рд░-рдП-рдЬрд╛рдирд╛рдБ рдореЗрдВ рдЕрдм рдмрд╛рд╕рд┐рдлрд╝рд╛ рдХреМрди рд╣реИ?
рджрд╕реНрдд-рдП-рдХрд╛рддрд┐рд▓ рдХреЗ рд╢рд╛рдпрд╛рдБ рд░рд╣рд╛ рдХреМрди рд╣реИ?
рд░рдХреНрд╕-рдП-рджрд┐рд▓ рдмрд╛рдВрдз рд▓реЛ рджрд┐рд▓ рдлрд┐рдЧрд╛рд░реЛ рдЪрд▓рее
рдлрд┐рд░ рд╣рдореАрдВ рдХрддреНрд▓ рд╣реЛрдВ рдЖрдПрдБ рдпрд╛рд░рд╛ рдЪрд▓реЛред
рдЖрдЬ рдмрд╛рдЬрд╝рд╛рд░ рдореЗрдВ рдкрд╛-рдм-рдЬреМрдВрд▓рд╛ рдЪрд▓реЛред
[рджрдорд╕рд╛рдЬрд╝ == friend] [рд╕рд┐рдлрд╝рд╛ == good reference, so рдмрд╛рд╕рд┐рдлрд╝рд╛ == trustworthy]
[рджрд╕реНрдд-рдП-рдХрд╛рддрд┐рд▓ == murderer’s hands] [рд╢рд╛рдпрд╛рдБ == safe]
[рд░рдХреНрд╕-рдП-рджрд┐рд▓ == heartbeat] [рджрд┐рд▓ рдлрд┐рдЧрд╛рд░реЛ == with a broken heart]

For the whole last week, I have been haunted by Nayyara Noor‘s rendition of this song. You can listen to it here.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Majaaz

Majaaz, the Keats of India, died alone, off heavy drinking, in a tavern in Lucknow. But he is probably one of the very few ‘progressive’ urdu poets, for whatever it means or whatever is left of it to mean. Best of his works are primarily romantic, with heavy-duty mushiness, like this one:

рд╣рджреЗрдВ рдЬреЛ реЩреАрдВрдЪ рд░рдЦреА рд╣реИрдВ рд╣рд░рдо рдХреЗ рдкрд╛рд╕рдмрд╛рдиреЛрдВ рдиреЗ ,
рдмрд┐рдирд╛ рдореБрдЬрд░рд┐рдо рдмрдиреЗ рдкреИрдЧрд╛рдо рдореИ рдкрд╣реБреНрдЪрд╛ рдирд╣реА рд╕рдХрддрд╛ред

But I’m going to post here a very different kind of his poem, its called Awaaraa. If you concentrate a bit, you might find a second, and sometimes a third, level of meaning out of the lines. Here it is:

рд╢рд╣рд░ рдХреА рд░рд╛рдд рдФрд░ рдореИрдВ рдирд╛рд╢рд╛рдж-рдУ-рдирд╛рдХрд╛рд░рд╛ реЮрд┐рд░реВрдБ
рдЬрдЧрдордЧрд╛рддреА рдЬрд╛рдЧрддреА рд╕реЬрдХреЛрдВ рдкреЗ рдЖрд╡рд╛рд░рд╛ реЮрд┐рд░реВрдБ
рдЧреИрд░ рдХреА рдмрд╕реНрддреА рд╣реИ рдХрдм рддрдХ рджрд░ рдмрджрд░ рдорд╛рд░рд╛ реЮрд┐рд░реВрдБ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ, рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реБрдБ

рдЭрд┐рд▓рдорд┐рд▓рд╛рддреЗ реШреБрдореШреБрдореЛрдВ рдХреА рд░рд╛рд╣ рдореЗрдВ реЫрдиреНрдЬреАрд░ рд╕реА
рд░рд╛рдд рдХреЗ рд╣рд╛рдереЛрдВ рдореЗрдВ рджрд┐рди рдХреА рдореЛрд╣рдиреА рддрд╕реНрд╡реАрд░ рд╕реА
рдореЗрд░реЗ рд╕реАрдиреЗ рдкрд░ рдордЧрд░ рдЪрд▓рддреА рд╣реБрдИ рд╢рдорд╢реАрд░ рд╕реА

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ, рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реБрдБ

рдпреЗ рд░реБрдкрд╣рд▓реА рдЫрд╛рдУрдБ, рдпреЗ рдЖрдХрд╛рд╢ рдкрд░ рддрд╛рд░реЛрдВ рдХрд╛ рдЬрд╛рд▓
рдЬреИрд╕реЗ рд╕реВреЮреА рдХрд╛ рддрд╕рд╡реНрд╡реБрд░ рдЬреИрд╕реЗ рдЖрд╢рд┐реШ рдХрд╛ реЩрдпрд╛рд▓
рдЖрд╣! рд▓реЗрдХрд┐рди рдХреМрди рдЬрд╛рдиреЗ, рдХреМрди рд╕рдордЭреЗ рдЬреА рдХрд╛ рд╣рд╛рд▓

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ, рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реБрдБ

рдлрд┐рд░ рд╡реЛ рдЯреВрдЯрд╛ рдЗрдХ рд╕рд┐рддрд╛рд░рд╛ рдлрд┐рд░ рд╡реЛ рдЫреВрдЯреА рдлреБрд▓реНрдЭреЬреА
рдЬрд╛рдиреЗ рдХрд┐рд╕ рдХреА рдЧреЛрдж рдореЗрдВ рдЖрдпреЗ рдпреЗ рдореЛрддреА рдХреА рд▓реЬреА
рд╣реВрдХ рд╕реА рд╕реАрдиреЗ рдореЗрдВ рдЙрдареА рдЪреЛрдЯ рд╕реА рджрд┐рд▓ рдкрд░ рдкреЬреА

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рд░рд╛рдд рд╣рдБрд╕ рд╣рдБрд╕ рдХрд░ рдпреЗ рдХрд╣рддреА рд╣реИ рдХреЗ рдореИреЩрд╛рдиреЗ рдореЗрдВ рдЪрд▓
рдлрд┐рд░ рдХрд┐рд╕реА рд╢рд╣рдирд╛реЫ-рдП-рд▓рд╛рд▓рд╛рд░реБреЩреНрд╣ рдХреЗ рдХрд╛рд╢рд╛рдиреЗ рдореЗрдВ рдЪрд▓
рдпреЗ рдирд╣реАрдВ рдореБрдореНрдХрд┐рди рддреЛ рдлрд┐рд░ рдР рджреЛрд╕реНрдд рд╡реАрд░рд╛рдиреЗ рдореЗрдВ рдЪрд▓

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рд╣рд░ рддрд░реЮ рдмрд┐рдЦрд░реА рд╣реБрдИ рд░рдВрдЧреАрдирд┐рдпрд╛рдБ рд░рд╛рдирд╛рдИрдпрд╛рдБ
рд╣рд░ реШрджрдо рдкрд░ рдЗрд╢рд░рддреЗрдВ рд▓реЗрддреА рд╣реБрдИ рдЕрдВрдЧреЬрд╛рдИрдпрд╛рдБ
рдмреЭ рд░рд╣реА рд╣реИ рдЧреЛрдж рдлреИрд▓рд╛рдпреЗ рд╣реБрдП рд░реБрд╕рд╡рд╛рдИрдпрд╛рдБ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рд░рд╛рд╕реНрддреЗ рдореЗрдВ рд░реБрдХ рдХреЗ рджрдо рд▓реЗ рд▓реВрдБ рдореЗрд░реА рдЖрджрдд рдирд╣реАрдВ
рд▓реМрдЯ рдХрд░ рд╡рд╛рдкрд╕ рдЪрд▓рд╛ рдЬрд╛рдКрдБ рдореЗрд░реА реЮрд┐рддрд░рдд рдирд╣реАрдВ
рдФрд░ рдХреЛрдИ рд╣рдордирд╡рд╛ рдорд┐рд▓ рдЬрд╛рдпреЗ рдпреЗ реШрд┐рд╕реНрдордд рдирд╣реАрдВ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рдореБрдиреНрддреЫрд┐рд░ рд╣реИ рдПрдХ рддреВреЮрд╛рди-рдП-рдмрд▓рд╛ рдореЗрд░реЗ рд▓рд┐рдпреЗ
рдЕрдм рднреА рдЬрд╛рдиреЗ рдХрд┐рддрдиреЗ рджрд░рд╡рд╛реЫреЗ рд╣реИрдВ рд╡рд╛ рдореЗрд░реЗ рд▓рд┐рдпреЗ
рдкрд░ рдореБрд╕реАрдмрдд рд╣реИ рдореЗрд░рд╛ рдЕрд╣рдж-рдП-рд╡реЮрд╛ рдореЗрд░реЗ рд▓рд┐рдпреЗ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рдЬреА рдореЗрдВ рдЖрддрд╛ рд╣реИ рдХрд┐ рдЕрдм рдЕрд╣рдж-рдП-рд╡реЮрд╛ рднреА рддреЛреЬ рджреВрдБ
рдЙрди рдХреЛ рдкрд╛ рд╕рдХрддрд╛ рд╣реВрдБ рдореИрдВ рдпреЗ рдЖрд╕рд░рд╛ рднреА рдЫреЛреЬ рджреВрдБ
рд╣рд╛рдБ рдореБрдирд╛рд╕рд┐рдм рд╣реИ рдпреЗ реЫрдиреНрдЬреАрд░-рдП-рд╣рд╡рд╛ рднреА рддреЛреЬ рджреВрдБ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рдЗрдХ рдорд╣рд▓ рдХреА рдЖреЬ рд╕реЗ рдирд┐рдХрд▓рд╛ рд╡реЛ рдкреАрд▓рд╛ рдорд╛рд╣рддрд╛рдм
рдЬреИрд╕реЗ рдореБрд▓реНрд▓рд╛ рдХрд╛ рдЕрдорд╛рдорд╛ рдЬреИрд╕реЗ рдмрдирд┐рдпреЗ рдХреА рдХрд┐рддрд╛рдм
рдЬреИрд╕реЗ рдореБреЮреНрд▓рд┐рд╕ рдХреА рдЬрд╡рд╛рдиреА рдЬреИрд╕реЗ рдмреЗрд╡рд╛ рдХрд╛ рд╢рдмрд╛рдм

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рджрд┐рд▓ рдореЗ рдПрдХ рд╢реЛрд▓рд╛ рднреЬрдХ рдЙрдард╛ рд╣реИ рдЖреЩрд┐рд░ рдХреНрдпрд╛ рдХрд░реВрдБ
рдореЗрд░рд╛ рдкреИрдорд╛рдирд╛ рдЫрд▓рдХ рдЙрдард╛ рд╣реИ рдЖреЩрд┐рд░ рдХреНрдпрд╛ рдХрд░реВрдБ
реЫреЩреНрдо рд╕реАрдиреЗ рдХрд╛ рдорд╣рдХ рдЙрдард╛ рд╣реИ рдЖреЩрд┐рд░ рдХреНрдпрд╛ рдХрд░реВрдБ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рдореБреЮреНрд▓рд┐рд╕реА рдФрд░ рдпреЗ рдореЫрд╛рд╣рд┐рд░ рд╣реИрдВ рдиреЫрд░ рдХреЗ рд╕рд╛рдордиреЗ
рд╕реИрдХреЬреЛрдВ рдЪрдиреНрдЧреЗреЫ-рдУ-рдирд╛рджрд┐рд░ рд╣реИрдВ рдиреЫрд░ рдХреЗ рд╕рд╛рдордиреЗ
рд╕реИрдХреЬреЛрдВ рд╕реБрд▓реНрддрд╛рди рдЬрд╛рдмрд░ рд╣реИрдВ рдиреЫрд░ рдХреЗ рд╕рд╛рдордиреЗ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рд▓реЗ рдХреЗ рдЗрдХ рдЪрдиреНрдЧреЗреЫ рдХреЗ рд╣рд╛рдереЛрдВ рд╕реЗ реЩрдиреНрдЬрд░ рддреЛреЬ рджреВрдБ
рддрд╛рдЬ рдкрд░ рдЙрд╕ рдХреЗ рджрдордХрддрд╛ рд╣реИ рдЬреЛ рдкрддреНрдерд░ рддреЛреЬ рджреВрдБ
рдХреЛрдИ рддреЛреЬреЗ рдпрд╛ рди рддреЛреЬреЗ рдореИрдВ рд╣реА рдмреЭрдХрд░ рддреЛреЬ рджреВрдБ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рдмреЭ рдХреЗ рдЗрд╕ рдЗрдиреНрджрд░-рд╕рднрд╛ рдХрд╛ рд╕рд╛реЫ-рдУ-рд╕рд╛рдорд╛рдБ рдлреВрдБрдХ рджреВрдБ
рдЗрд╕ рдХрд╛ рдЧреБрд▓реНрд╢рди рдлреВрдБрдХ рджреВрдБ рдЙрд╕ рдХрд╛ рд╢рдмрд┐рд╕реНрддрд╛рдБ рдлреВрдБрдХ рджреВрдБ
рддреЩреНрдд-рдП-рд╕реБрд▓реНрддрд╛рдБ рдХреНрдпрд╛ рдореИрдВ рд╕рд╛рд░рд╛ реШрд╕реНрд░-рдП-рд╕реБрд▓реНрддрд╛рдБ рдлреВрдБрдХ рджреВрдБ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

рдЬреА рдореЗрдВ рдЖрддрд╛ рд╣реИ рдпреЗ рдореБрд░реНрджрд╛ рдЪрд╛рдБрдж-рддрд╛рд░реЗ рдиреЛрдЪ рд▓реВрдБ
рдЗрд╕ рдХрд┐рдирд╛рд░реЗ рдиреЛрдЪ рд▓реВрдБ рдФрд░ рдЙрд╕ рдХрд┐рдирд╛рд░реЗ рдиреЛрдЪ рд▓реВрдБ
рдПрдХ рджреЛ рдХрд╛ реЫрд┐рдХреНрд░ рдХреНрдпрд╛ рд╕рд╛рд░реЗ рдХреЗ рд╕рд╛рд░реЗ рдиреЛрдЪ рд▓реВрдБ

рдР реЪрдо-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ рдР рд╡рд╣рд╢рдд-рдП-рджрд┐рд▓ рдХреНрдпрд╛ рдХрд░реВрдБ

Ranbheri (the battle cry)

Poems are like beds. They come in all forms – from extremely pink, furry, mushy and soft to back-painingly rock hard. You can always add cushions to make them better. They can be used as decorative pieces in drawing rooms, without much utility though. And they seem unnecessarily clumsy when used as decorations. They have their own roles to play in love affairs (okay donтАЩt look at me like that… they have nice and legitimate roles to play… you pervert). They can be hollow when they come, and the ‘user’ can put substance into them by his imagination. If you donтАЩt want others to see a broken piece, you always have sheets to cover them.

And of course, you can sleep over them.

So here’s a poem which I wrote the day before, clad it in a big white sheet yesterday, and I slept over it the yesterday night. Take it:

рдкрдерд┐рдХ! рдХреНрдпреЛрдВ рд░рдгрднреЗрд░реА рдмрдЬрд╛рддрд╛ рд╣реИ?

рдмрд┐рдЦрд░реЗ рд╣реБрдП рдЗрд╕ рд░рд╛рдЬреНрдп рдХреЛ,
рдХреНрдпрд╛ рдЬреАрдд рдХрд░ рдорд┐рд▓рдирд╛ рддреБрдЭреЗред
рд╣рд╛рд░реА рд╣реБрдИ рд╕реЗрдирд╛рдУрдВ рд╕реЗ,
рдХреНрдпрд╛ рд╕реЛрдЪ рднрд┐реЬрдирд╛ рд╣реИ рддреБрдЭреЗред

рд╣рд░рд╛рдХрд░ рдЗрди рдореГрддреЛрдВ рдХреЛ,
рдХреНрдпрд╛ рдЬреАрдд рддреЗрд░реА рд╣реЛ рд╕рдХреЗрдЧреА?
рдпрд╛ рддреБрдЭреЗ рднреА рдЬрд╛рди рдирд┐рд░реНрджрдп,
рд╡рд╣ рднреА рд░реБрдЦ рдХреБрдЫ рдореЛреЬ рд▓реЗрдЧреАред

рдЬрдмрдХрд┐ рдЗрди рд╕рдм рдмреИрд░рд┐рдпреЛрдВ рдХреЛ,
рд╡рд╣ рдЪреБрдХрд╛ рд╣реИ рдорд╛рд░,
рдФ’ рддреБрдЭреЗ рдмрддрд▓рд╛ рд░рд╣рд╛
рдмрд╕ рдирд┐рдорд┐рддреНрдд рд▓рд╛рдЪрд╛рд░ред

рдлрд┐рд░ рднреА рдкрдЧ рдХреНрдпреЛрдВ рд▓реЬрдЦреЬрд╛рддреЗ,
рд╣рд╛рде рд╕реЗ рдЧрд┐рд░рддрд╛ рдзрдиреБрд╖ рдХреНрдпреЛрдВ?
рдИрд╢реНрд╡рд░реЗрдЪреНрдЫрд╛ рд╕реЗ рдмрдВрдзрд╛,
рд╣рд░ рдПрдХ рдпреБрдЧ рдореЗ рдпрд╣ рдордиреБрдЬ рдХреНрдпреЛрдВ?

рдХрд░ рдмрдВрдзреЗ рд╣реИрдВ, рдЪрд░рдг рд╣рд╛рд░реЗ,
рджреЛрд╖ рдлрд┐рд░ рднреА рд╕реНрд╡рдпрдВ рдореЗ рд╣реА рдкрд╛рддрд╛ рд╣реИ,
рдкрдерд┐рдХ! рдХреНрдпреЛрдВ рд░рдгрднреЗрд░реА рдмрдЬрд╛рддрд╛ рд╣реИ?

рдХрд░ рд░рд╣реЗ рдЗрдВрдХрд╛рд░ рд╢рд░ рдЕрдм,
рдЪрд╛рдк рд╕реЗ рд╣реА рдЫреБрдЯрдиреЗ рдХреЛ,
рдЬрдмрдХреА рднреМрдВрд░рд╛ рднреА рд╡рд┐рдХрд▓ рд╕рдм,
рд╕реМрд░рднреЛрдВ рдХреЛ рд▓реВрдЯрдиреЗ рдХреЛред

рдХреНрдпрд╛ рдпрд╣ рдкрд╣рд▓реА рдмрд╛рд░ рд╣реИ,
рдХрд┐ рд╣реЛ рд░рд╣рд╛ рд╣реИ рдорди рд╡рд┐рдХрд▓?
рдХрд░ рд░рд╣рд╛ рдЗрдВрдХрд╛рд░ рд╣реИ рдЕрдм,
рдкреНрд░реЗрд░рдгрд╛ рдХреЛ рднреА рдирд┐рдЧрд▓ред

рдХреНрдпрд╛ рджреЗрдЦрд╛ рд╣реИ рддреБрдордиреЗ рдкрд╣рд▓реЗ,
рдирд┐рдорд┐рддреНрдд рдХреЛ рдХрд┐рд╕реА,
рдХрд┐рд╕реА рдпреБрдЧ рдореЗ,
рд╕реНрд╡рдпрдВ рдХреЛ рдирд┐рдорд┐рддреНрдд рдорд╛рдирдиреЗ рд╕реЗ рдХрд░рддреЗ рдЗрдВрдХрд╛рд░ред
рдпрд╛ рджреЗрдЦрд╛ рд╣реИ рдЙрд╕реЗ,
рдЧрд╣рд░реА рд╕реЛрдЪ рдореЗ реЬреБрдмреЗ
рдкрд╣рдЪрд╛рдирддреЗ рдЯрдЯреЛрд▓рддреЗ рдЕрдкрдиреЗ рд╣реА рдзреНрдпреЗрдп рдХрд╛ рдЖрдХрд╛рд░ред

рдпрд╛ рдлрд┐рд░ рдЙрд▓рдЯ рдХрд░,
рдЬрд╡рд╛рдм рджреЗрддреЗ, рдХрд░реНрддрд╛ рдХреЛ
рдЕрдкрдиреЗ рд╣реА ред

рдХреНрдпрд╛ рдпрд╣ рдХреЗрд╡рд▓,
рдЗрд╕реА рдпреБрдЧ рдХреА рд╕рдЪреНрдЪрд╛рдИ рд╣реИ?
рдпрд╛ рдлрд┐рд░ рд╣реЛрддрд╛ рд░рд╣рд╛ рд╣реИ рдпреБрдЧреЛрдВ рд╕реЗ рдпрд╣реА рдирд┐рд░рдВрддрд░ред
рдпрд╛ рд╢рд╛рдпрдж,
рдкреНрд░рддреНрдпреЗрдХ рдпреБрджреНрдз рдХреЗ рдкрд╣рд▓реЗ,
рдорд┐рдЯ рдЬрд╛рддрд╛ рд╣реИ рдХрд░реНрддрд╛ рдФрд░ рдирд┐рдорд┐рддреНрдд рдХрд╛ рдЕрдВрддрд░ред

рд╕рд╛рд░рдереА рдФрд░ рдзрдиреБрд░реНрдзрд░ рдорд╛рдиреЛрдВ,
рдЬрд╛рди рдкрдбрддреЗ рд╣реЛрдВ,
рдПрдХ рд╣реАред

рддреАрдХреНрд╖реНрдг рджреГрд╖реНрдЯреА рд╣реИ, рд╕реЛрдЪ рдкреНрд░рдмрд▓,
рдлрд┐рд░ рднреА рд╕реНрд╡рдпрдВ рдореЗ рдХрд░реНрддрд╛ рдирд╣реАрдВ рджреЗрдЦ рдкрд╛рддрд╛ рд╣реИ,
рдкрдерд┐рдХ! рдХреНрдпреЛрдВ рд░рдгрднреЗрд░реА рдмрдЬрд╛рддрд╛ рд╣реИ?

рдЬрдм рдХрд░реНрддрд╛ рдХреА рдЖрд╡рд╛реЫ,
рд╣реЛ рдЬрд╛рддреА рд╣реИ рдкреБрд░рд╛рдиреА,
рддреЛ рдирд┐рдорд┐рддреНрдд рдЦреБрдж рдореЗ рд╣реА
рдЦреЛрдЬ рд▓реЗрддрд╛ рд╣реИ рдХрд░реНрддрд╛ рдХреА рдмрд╛рдиреАред

рдЧреБреНрдирдЧреБрдирд╛рддреЗ рд╣реИрдВ рд╕реИрдХрдбреЛ
рдЕрдВрддрд░ рдореЗ рдЫреБрдкреЗ рд╕рд╛реЫ,
рдЬрдм рд╕реБрди рдкрд╛рддрд╛ рд╣реИ рд╡рд╣
рдЕрдкрдиреА рд╣реА рдирдИ рдЖрд╡рд╛реЫред

рдкрд░ рд╡рд╣реА рдЖрд╡рд╛реЫреЗрдВ рдкреБрд░рд╛рдиреА рдФрд░ рд╡рд┐рдХрдЯ,
рдкреНрд░рддрд┐рдзреНрд╡рдирд┐рдд рд╣реЛ рд▓реМрдЯ рдЖрддреА рд╣реИ,
рдФрд░ рдХрд╛рдиреЛрдВ рдХреЗ рдЖрдХрд░ рдирд┐рдХрдЯ,
рдЦреЛрдП рд╡рд┐рд╢реНрд╡рд╛рд╕ рдХреЛ рд╕рдореЗрдЯ рд░рдгрднреЗрд░реА рдмрдЬрд╛рддреАрдВ рд╣реИрдВред

рд╕рдЪреНрдЪрд╛ рдпреБрджреНрдз рдирд╣реАрдВ рдЬреАрддрд╛
рдмрд╛рдгреЛрдВ рдХреА рдкреИрдирд╛рд╣рдЯ рд╕реЗ рдЬрд╛рддрд╛,
рдзрдиреБрд░реНрдзрд░ рднреА рдХрднреА рдХреНрдпрд╛,
рдЬреАрдд рдХрд╛ рд╢реНрд░реЗрдп рд▓реЗ рдкрд╛рддрд╛?

рдХреБрд░реБрдХреНрд╖реЗрддреНрд░ рддреЛ рдХреЗрд╡рд▓, рдЧреБрдБрдЬрддреА
рдЯрдХрд░рд╛рддреА рдЖрд╡рд╛реЫреЛрдВ рд╕реЗ рдмрдирддрд╛ рд╣реИред
рдФрд░ рд╡рд┐рдЬрдп рдзреНрд╡рдЬ рдЙрдард╛рдиреЗ рд╡рд╛рд▓рд╛,
рдирд┐рд╢реНрдЪрдп рд╣реА рдирдпрд╛ рдХрд░реНрддрд╛ рдмрдирддрд╛ рд╣реИред

рдФрд░ рдлрд┐рд░,
рд╡рд╣реА рдирд┐рдорд┐рддреНрдд,
рдЬрд┐рд╕рдиреЗ рдХрднреА рд╕реНрд╡рдпрдВ рдореЗ,
рдирдпрд╛ рдХрд░реНрддрд╛ рдЦреЛрдЬ рд▓рд┐рдпрд╛ рдерд╛,
рдлрд┐рд░ рд╕реЗ,
рдореВрдХ рдзрдиреБрд░реНрдзрд░ рдмрди,
рдирдИ рдЖрд╡рд╛реЫ рдореЗ,
рдкреБрд░рд╛рдиреА рдкреНрд░реЗрд░рдгрд╛ рдкрд╛рддрд╛ рд╣реИред
рдкрдерд┐рдХ! рдХреНрдпреЛрдВ рд░рдгрднреЗрд░реА рдмрдЬрд╛рддрд╛ рд╣реИ?
рдкрдерд┐рдХ! рдХреНрдпреЛрдВ рд░рдгрднреЗрд░реА рдмрдЬрд╛рддрд╛ рд╣реИ?

The Messiah

Once there lived a village of creatures along the bottom of a great crystal river.

The current of the river swept silently over them all — young and old, rich and poor, good and evil, the current going its own way, knowing only its own crystal self.

Each creature in its own manner clung tightly to the twigs and rocks of the river bottom, for clinging was their way of life, and resisting the current what each had learned from birth.

But one creature said at last, ‘I am tired of clinging. Though I cannot see it with my eyes, I trust that the current knows where it is going. I shall let go, and let it take me where it will. Clinging, I shall die of boredom.’

The other creatures laughed and said, ‘Fool! Let go, and that current you worship will throw you tumbled and smashed across the rocks, and you will die quicker than boredom!’

But the one heeded them not, and taking a breath did let go, and at once was tumbled and smashed by the current across the rocks.

Yet in time, as the creature refused to cling again, the current lifted him free from the bottom, and he was bruised and hurt no more.

And the creatures downstream, to whom he was a stranger, cried, ‘See a miracle! A creature like ourselves, yet he flies! See the Messiah, come to save us all!’

[Words: from Richard Bach’s Illusions]
[Image: Taken by me at Rock Graden, Chandigarh, 2006]